Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. Together they unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to follow, not to look for where they point. When the piri sounds for a flooded town on the B side, the water flows between your own feet; Potter’s words a sometimes frightening hörspiel in scouse.  Though the details are fine, the space each artist gives one another and their instruments, their language, is given to the listener in turn. A careful melody picks out a route for words with no fixed meaning, a body with no fixed direction, and we are invited to listen and see a kind of music made visible in its inference. A truly very special record we are very proud to share. --- Influenced by linguistics and performance theory, Roy Claire Potter makes performance, text, drawing, installation and film, and often collaborates with musicians and sound artists to make audio for music festivals and radio. Across the wide range of their practice, Roy tells stories built from fragmented, intense images that depict moving bodies or domestic scenes and architectural settings. Roy’s interest in subtext and narrative sequencing is felt in the way they use fast-paced talking or reading speeds, and restricted or partial views of space. Complicated social or group dynamics and the aftermath of violent events are common themes in Roy’s work and are usually treated with a dark, sometimes wilful humour. Park Jiha creates exploratory music rooted in traditional Korean instrumental performance. To this session she brings three instruments: a Korean hammered dulcimer called a yanggeum, a saenghwang which is an instrument made of 24 slender bamboo pipes attached to a bowl and played like a harmonica and a double-reed bamboo flute called a piri, which sounds similar to an oboe. --- Park Jiha / yanggeum, saenghwang, piri Roy Claire Potter / voice --- Recorded and mixed on: 30 January 2020 by Rob Winter, Pete Smith and Andy Rushton at Maida Vale Studios, London for “Late Junction - Roy Claire Potter and Park Jiha in session”. Produced by Rebecca Gaskell, Katie Callin and Alannah Chance at Reduced Listening for BBC Radio 3. Originally broadcast on Friday 28th February 2020, apart from Track 4 which aired on Late Junction the 21st February 2020.  Mastered by Katie Tavini. Original artwork: “Three Boys” by Claire Cansick. Liner notes by Frances Morgan.

Re-engaging with a traumatic experience in the Gothic Quarter in Barcelona, the narrator of Roy Claire Potter's Entrance Song; last time tells their story through foggy wisps of memory, it's a refracted portal laid out and rendered hybrid in form. An ominous, experimental cross-artform publication brought to life by spoken text passages, recorded sound/music and additional visual PDF document. Rather than directly recounting their experience, the story's narrator focuses instead on Gothic Quarter's architecture, topography, history and people. These details unfurl as weighted shadows of the exterior world that loom over a corrupted memory: a memory that cannot be directly accessed. Accompanying and adding to the text are glimpses of music and field recordings. A piano performance of a piece of sheet music found during a research trip to the Abbey of Santa Maria De Montserrat, field recordings of a violin practice by a fountain and a hidden bass track gift a third eye to the dissociative memory and its surroundings, as well as breathe tonal hues to proceedings. A PDF document includes notes and edits of the text, as well as pictures of the towering churches and spires of the city: overwhelming pieces of architecture with spiked edges and webbed partitions. A fly-trap where words don't tread. A story instigated and evacuated, one last time. -- Entrance Song; last time was written, read and produced by Roy Claire Potter and includes the following field recordings by Lisa Lavery: Courtyard violin practice drippy fountain Rome; Calle de las Cortesías; Train platform bell Sicily. Hidden track Bass Piece was written, performed and recorded by Lisa Lavery. With special thanks to Bridget Hayden for piano instruction and Sam Mcloughlin for recording advice. Proceeds from the sale of this album will go to Rape Crisis UK and Safenet, a domestic abuse charity in Burnley.