Salomé Voegelin is an artist and writer who works with sound’s relational capacities to practice possibilities of the undisciplined, and to look for the transversal in its fuzzy geographies. She writes essays and text-scores for performance and publication. Books include Sonic Possible Worlds (2014/21) The Political Possibility of Sound (2018) and Listening to Noise and Silence (2010).Her latest book ‘The Political Possibility of Sound’, Bloomsbury 2018, articulates a politics that includes creativity and invention and imagines transformation and collaboration as the basis of our living together. Voegelin’s practice engages in participatory, collective and communal approaches and uncurates curatorial conventions through performance. She is a Professor of Sound at the London College of Communication, University of the Arts London and currently represents the Professorship Klangkunst in den Kunstwissenschaften at the University of Art Braunschweig. www.salomevoegelin.net