Simon’s music, described as “visionary and expressive”, “rich and surprising”, “exquisite”, “mesmerising”, “transcendental, yet unshakably earthbound”, “masterful”, “Debussy-like”, has attracted praise and radio play from critics as varied as Ben Watson, Julian Cowley, Nick Luscombe, Massimo Ricci, Gilles Peterson, Mr. Scruff, and has been reviewed internationally in many publications including The Wire, De:Bug, Knowledge Magazine, Jazz and Beyond, Extranormal and Straight No Chaser.

Releasing works on Erstwhile Records, EMANEM, L’innomable, Edition DEGEM, as well as his own label Vision of Sound, Simon’s unique work has led to appearances at the Glastonbury Festival, Rotterdam Film Festival, Akademie der Künste (Berlin), ICA London, Club Transmediale (Berlin), National Museum (Stockholm), Progression Sessions (London), Huddersfield Contemporary Music Festival, Internationale Ferienkurse für Neue Musik (Darmstadt), Q-02 (Brussels), Visiones Sonoras (Mexico City), as well as on Resonance FM, Ministry of Sound Radio, and FM4-Austria among many others.

3 new electroacoustic compositions for London-based RPO trombonist Matthew Gee will be released later this year and a new work-in-progress for piano and electronics will be premiered by Swedish pianist Jesper Olsson in 2018.