Tuesday 16 November 2021, 7.30pm
An evening hosted by Vicki Bennett (People Like Us), featuring live performances from Porest, Gwilly Edmondez, Irene Moon, Ergo Phizmiz and People Like Us.
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
This year marks 30 years for People Like Us, marked by a cover feature in The Wire Magazine (May 2021, a touring of Gone, Gone Beyond, a 360 immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican, and an evening hosted by People Like Us at their favourite venue Cafe OTO.
Gwilly Edmondez emerged in the 1980s from Bridgend, South Wales, where he was a founder member of Radioactive Sparrow, once dubbed ‘the most legendary band you’ve probably never heard of.’ Gwilly practices a form of composition that disavows fixity and rehearsal, preferring an approach that dissolves the line between ‘life’ and ‘performance’ in ways that compromise neither. Having coined the term Wild Pop to describe his aesthetic as both a solo artist and as Gustav Thomas in YEAH YOU (est. 2013), his embracing the age of evaporation is manifest in a relentless autopathology oriented towards devotional sublimation.
https://www.instagram.com/gwillyedmondez/
https://www.instagram.com/ye_yu_fam/
Since 1997, Scientifically Speaking with Irene Moon has been presenting The Lectography: musical lectures about insects and other arthropods in an attempt to elevate entomology as a rock genre. Performing at basement house shows and more famous music venues like the Knitting Factory and the San Francisco Electronic Music Festival, Irene Moon has toured the US, Europe, and Australia. She created over 30 musical volumes during her career and performed live radio broadcasts dealing with entomological topics on WFMU in New York and other radio stations. Irene Moon (a.k.a Katja C. Seltmann, Ph.D.) is the Director of the Cheadle Center for Biodiversity and Ecological Restoration at the University of California, Santa Barbara. She brings the aesthetics from the entomology laboratory in front of alternative audiences in the form of absurd, factual presentations about insects.
Her performance at Cafe Oto PLU Residency is a lounge-inspired lecture on bee biodiversity and evolution titled “Will You Bee Mind” that incorporates psychedelic imagery, pop-styled torch songs, and comedy.
Ergo Phizmiz is a composer, writer, collagist, stage director and radio playwright. Recent projects have included animated stage designs for "The Rake's Progress" at the Royal Academy of Music and Maggio Musicale Firenze, and the gargantuan, smash hit community pantomime "The Quantum Horse" in collaboration with Cube Microplex, Bristol. Their multiple award winning work for radio includes programmes for Bayerischer Rundfunk, Deutschlandradiokultur, BBC Radio 3, BBC 6Music, WFMU, West Deutscher Rundfunk, VPRO and Resonance FM. Recent music releases have mainly comprised the deluxe holiday leisure trilogy on Strategic Tape Reserve "Elmyr", "Plaza Centraal" and "Owl and Monkey Haven". Ergo is currently developing a new operatic work "Adapting Don Quixote" as a PhD at the University of Bristol.
Ergo will perform a rare solo set for this residency.
http://ergophizmizmusic.bandcamp.com
Porest is the music and performance outlet of post-American artist and producer Mark Gergis. For decades, Porest has issued a trail of confounding agitprop sound art, post-globalized hate-pop, diabolical radio dramas, big songs and small songs. Porest’s blatant embezzlement of human syntax and cultural misunderstanding broadcasts vital mixed messages across all fields, forging carefully rearranged realities that both avoid and indulge the inherent trappings of radical art and politics. Live performances integrate Porest’s music, performance and sound into a grand total sum that can’t be unseen. Ongoing collaborations have included: Negativland (USA) Alan Bishop / Sun City Girls (USA), Aavikko (Finland), Vicki Bennett aka: People Like Us (UK), among others. Porest has performed and toured worldwide, with albums released on Nashazphone (Cairo), Discrepant (UK), and in the US on the Seeland, Abduction and Resipiscent labels.
In the 1990s and 2000s, Mark was co-founder of the long-running experimental California music and performance collective Mono Pause, as well as its offshoot Neung Phak. In his other life, Mark is an archivist and producer for global music releases on the Sublime Frequencies and Sham Palace labels, including compilations and documentary works such as I Remember Syria, Cambodian Cassette Archives, Saigon Rock & Soul, Choubi Choubi (Iraq), Dabke: Sounds from the Syrian Houran and his extensive work with artists Omar Souleyman (Syria) and Erikin Koray (Turkey).
