Monday 5 May 2025, 7.30pm
Legendary composer, performer, and visual artist Charlemagne Palestine has joined forces with Oren Ambarchi, the groundbreaking Australian guitarist and sound explorer, and Daniel O’Sullivan, the English multi-instrumentalist and composer, to form a visionary trio that redefines Palestine’s MAGGGICCCC SONGGGG Karenina. This unprecedented collaboration breathes new life into a sacred masterpiece, heralding a bold and transformative chapter in experimental music.
Originally recorded in 1997 at Galerie Donguy in Paris and released on David Tibet’s Durtro label (now long out of print), Karenina is one of the jewels of Charlemagne Palestine’s continuous music canon. Originally composed for Indian harmonium and voice, this composition channels Palestine’s deep-rooted influences: the meditative, evolving textures of Hindustani raga, the emotive spiritual chants of cantorial synagogue music, and his signature approach to longform continuous music. In this new 2.0 rendering, the trio builds upon the meditative core of Karenina, introducing fresh sonic dimensions through their unique synergy and individual artistry.
Karenina 2.0
This trio’s reinterpretation of Karenina honours the sacred essence of the original while reimagining it as a living, evolving work. Together, they weave new textures, integrating Ambarchi’s textural guitar work and O’Sullivan’s expansive harmonic sensibilities with Palestine’s transcendent harmonium and voice. The result is a sonic tapestry that transcends the boundaries of time, tradition, and genre—a meditative yet dynamic exploration that invites listeners into a transformative sound world.
Please note that the trio performance will be the same on both 4th and 5th May.
A pioneer of minimalist music and avant-garde performance, Charlemagne Palestine has spent decades crafting immersive soundscapes that defy convention. Known for his deeply ritualistic approach to composition, Palestine’s works often utilize drones, overtones, and layered harmonic textures to create transcendent listening experiences. His influence spans across multiple disciplines, cementing his place as one of the most significant figures in experimental music.
Australian guitarist, composer, and sonic innovator Oren Ambarchi is celebrated for his ability to blur the boundaries between instrumental music, drone, and electronics. His exploratory use of the electric guitar as a textural instrument has redefined its role in contemporary music. Ambarchi’s extensive solo and collaborative work have placed him at the forefront of experimental sound, making him the perfect partner to expand Karenina into uncharted territory.
Daniel O’Sullivan is an English multi-instrumentalist and composer whose work spans an eclectic range of genres, from chamber music to psychedelic rock. Renowned for his collaborations with avant-garde luminaries and his own groundbreaking projects, O’Sullivan’s artistry is characterized by its lush arrangements and emotional depth. His contributions bring an additional layer of melodic and harmonic sophistication to this reimagining of Karenina.
crys cole is a Canadian sound artist working in composition, improvised performance and sound installation. Generating subtle and imperfect sounds through haptic gestures and seemingly mundane materials, she creates textural works that continuously retune the ear.
cole has ongoing collaborations with James Rushford (AU) (as Ora Clementi) and Oren Ambarchi (AU) and has worked recently with Francis Plagne (AU), Leif Elggren (SW), Tetuzi Akiyama (JP), David Rosenboom (US), Keith Rowe (UK), Seiji Morimoto (JP/DE), Jessika Kenney (US), Tim Olive (JP/CA) and many more. Her work has been published by Black Truffle (AU), Penultimate Press (UK), Ultra Eczema (BE), caduc. (CA), Bocian (PL), Another Timbre (UK) and Infrequency editions (CA/DE). She has performed and exhibited her work worldwide.
