Wednesday 5 April 2023, 8pm
“A” Trio is the oldest Lebanese free improv group. It was formed in 2002 by Mazen Kerbaj (trumpet), Sharif Sehnaoui (acoustic guitar), and Raed Yassin (double bass), initially for a single concert at the second edition of the experimental music festival Irtijal. After this concert the three musicians went on to record the first free jazz album to be produced in the arab world (A – La Cédéthèque, 2003). Their music later moved away from its jazz roots towards a more textural approach, relying strongly on prepared & extended techniques for a heavy diversion of their respective instruments. After working together in trio and various other contexts for many years, Kerbaj, Sehnaoui and Yassin reached a characteristic sound that has been fondly described as “textural swing.”
Celebrating their 20th anniversary as a group, the “A” Trio finally come to the UK for Counterflows 2023.
Hardi Kurda is a sound artist, improviser, and founder of SPACE21, a sound art and experimental music platform in Slemani, and the Archive Khanah, an interactive sound archive project using the philosophy of computer gaming technology. Currently, he is a PhD candidate at Goldsmiths College, the University of London. He explores radio noises that may have been considered illegal, abandoned, unheard, invisible, broken, distorted, untold, forgotten, or simply noises from nowhere, without a place or destination. He developed the notion of "The Found Score" an instrument as a listening medium, using everyday materials to reimagine listening experiences through engaging other senses based on his listening experience in a crisis when he immigrated illegally to Europe. www.hardikurda.com
Khabat Abas is an experimental cellist, improviser, and composer from Iraqi Kurdistan. She moves freely between artistic discipline and possibilities. Her works are inspired by a broad collection of methods, including noise, improvisation, and narrative storytelling as individual approaches. Therefore, she searches for unheard sounds or undiscovered spaces. Khabat is probably best known for her adapted cello and improvisational work exploring extended techniques, through which she started developing pieces that respond to the objects that are surrounding her or to her childhood memories. In her practice, she raises questions about what is out of bounds, raising the possibilities of sounds that cannot be controlled – in contrast to traditional musical values.
