Friday 21 February 2025, 7.30pm
Improvisational vocalist Saadet Türköz was born in Istanbul in 1961 to parents who were Kazakh refugees from her homeland, East Turkestan. She learned the rich oral and musical traditions of Central Asia from the elderly people of the Kazakh community in Istanbul. Their tales of their homeland and long journeys to Turkey later became an imaginative source for her improvisational singing. Another source has been the Koran she listened to as a child. Later her repertoire has widened to include improvised music and modern interpretations of Turkish and Kazakh music. In her work she combines past and future, traditional and contemporary, dream and reality. Through the years she developed her own style of singing, which is both expressive, physical, archaic and calm. In addition to solo performances, Türköz performs in duos, trios and larger free-improvising formations. Throughout her career she has worked in various video-, theater-, film-, dance- and literary Productions.
At the age of 20, she moved to Zürich, where she experienced the new worlds of free jazz and improvisation. These encounters prompted her to take an experimental and unbiased approach to her musical roots. She has performed solo and with other musicians at home and abroad, releasing her first album in 1994. Her collaborations include work with Okkyung Lee, William Parker, Carl Stone and Bobby McFerrin.
"Singer Saadet Türköz is a masterful improviser and collaborator, capable of stretching and extending her voice into previously-unheard forms. Those skills are on display on We Are Strong, a duo album with Swiss guitarist Beat Keller. Each of the seven tracks here seems at first to be led by Türköz, but repeat listens reveal that her mouth and throat sounds are constantly reacting to Keller’s equally wide range of plucks and slashes. At the same time, Türköz transforms the music of her past. Having grown up in East Turkestan (her family fled the Chinese government, landing in Istanbul), she molds Kazakh and Turkish songs into her unique style. This history adds another layer of compelling emotion to a record that never fails to grab attention. " – Marc Masters (Daily Bandcamp) The Best Experimental Music on Bandcamp: August 2021
"As a young girl growing up in cosmopolitan Istanbul, Türköz absorbed myriad musical styles - from Western classical music and radio-friendly American pop and rock to Arabesque and Turkish Folk: “When we were together, we sang not only in Kazakh songs but also Turkish songs. It’s community music. It has power and function. “She also developed an early love of Arabic while studying the Koran at Islamic summer school. “I like the sound.” She recalls. “We didn’t learn the meaning of the Arabic language but it sounded nice. The sound is beautiful.It’s music!” – Daniel Spicer (The Wire Magazine)
Chinabot is a platform and collective created to change the dialogue surrounding Asian music. Started in 2017, the multi-disciplinary label and network of Asian artists decided to cooperate on a new way to collect and promote exciting Asian music.
https://www.chinabot.co/
https://www.instagram.com/chinabotasia/
Jena Jang is a vocalist, experimental musician, and performance artist from South Korea, currently based in Prague, Czechia. Their work focuses on trauma healing and liberation from mental anguish through high-pitched frequencies generated by hand-built synthesisers, extended vocal improvisation, and power electronics. Drawing inspiration from Buddhist chanting, yogic breath work, throat singing, and traditional Korean music forms such as Pansori, Samulnori, and Shamanic rituals, their performances are raw, visceral expressions of energy.
Physicality plays a central role in their work, with movements such as headbanging, crawling, and repetitive gestures aimed at releasing past traumas and transforming them into cathartic, trance-like healing experiences. Their background in dance—including jazz, contemporary, improvisation, Korean traditional, and Japanese Butoh—along with years of yoga and breath practice, adds a somatic dimension to their art. Their interdisciplinary approach seamlessly integrates audio-reactive live visuals with physical movement, creating immersive and emotionally intense environments.
Since debuting in 2020, they have performed across the globe, collaborating with a wide range of artists in both concerts and festivals. Notable collaborations include a Shape+ project with bela (KR/DE) and mvd0ae (MX/CZ) during a residency at MeetFactory in Prague and supporting Gabber Modus Operandi (ID) and Prison Religion (US) at an event curated by Shelter Tallinn in Estonia. They have also performed alongside Udasi (FI) and Mia Zabelka (AT) at Ars Electronica in Linz, organised by Contingent Snapshot. Their international presence includes performances at festivals such as Druskomanija (LT), Biela Noc and Hradby Samoty (SK), ARé Performing Art (AM), and Saund Festival 2024 (EE), contributing to their growing recognition within the experimental music and performance art scenes.
https://www.instagram.com/xena_xang/
https://soundcloud.com/purplearsound