Tuesday 11 January 2022, 8pm
Mandolin/violin/guitar is an instrumental line-up often seen on the international folk music scene but very rarely in free improvised music. In tonight’s ‘re-imagined’ trio, mandolinist/octave mandola player Phil Durrant will be joined by violinist Mandhira de Saram and acoustic guitarist Daniel Thompson.
The opening set will feature a contrasting drone/layered-soundscape duo of Bill Thompson on Moog guitar & electronics and bass clarinettist Yoni Silver.
Born near London in 1957, Phil Durrant is a multi-instrumentalist improviser/composer/sound artist who currently performs solo and group concerts. As a violinist (and member of the Butcher/Russell/ Durrant trio), he was one of the key exponents of the "group voice approach" style of improvised music. In the late 90s, his trio with Radu Malfatti and Thomas Lehn represented a shift to a more “reductionist” approach. Recently, he has been performing solo and duo concerts with Bill Thompson and Gaudenz Badrutt using a semi-modular synth system. He has also recently recorded and performed with Dominic Lash’s quartet which includes Rachel Musson and Steve Noble. As an acoustic or electric mandolinist, he has been performing duos with guitarists Daniel Thompson and Martin Vishnick. He also performs regularly in a trio with Mark Wastell and John Butcher and has many ongoing projects with drummer Emil Karlsen including a trio with Maggie Nicols. Durrant still performs regularly with the acoustic/electronic group Trio Sowari (with Bertrand Denzler and Burkhard Beins) and Mark Wastell’s The SEEN, as well as the international electronic ensemble MIMEO with Keith Rowe, Kaffe Matthews, Thomas Lehn, Rafael Toral a.o.
Mandhira is happiest bringing her playful energy and creativity to a breadth of projects across the less trodden paths of contemporary music, working with the likes of Anna Meredith, Elaine Mitchener, Elliot Galvin, Laura Jurd and Shabaka Hutchings, and now increasingly as a solo artist.
Having left the Ligeti Quartet (Songbooks Vol. 1, 2021 and Nuc, 2023) - the plucky band of musical buccaneers who explore the outer reaches of chamber repertoire - Mandhira’s recent creative ventures include commissions by the Ligeti Quartet, a collaboration with the cross-cultural Australian Art Orchestra (debuting in Melbourne and HCMF) and working with Jasmin Kent Rodgman on the soundtrack to the feature film Bawa’s Garden. She has also been commissioned by the Barbican’s Sound Unbound Festival and Musicity.
Equally at home leading orchestras in the world’s most prestigious concert venues, recording film soundtracks at Abbey Road and improvising at Café Oto, her other projects include improvising duos with Steve Beresford and Benoit Delbecq (Spinneret, 2019) and regular appearances with Riot Ensemble and London Contemporary Orchestra.
She currently plays a 1735 Sanctus Seraphin violin kindly loaned to her by Derek Clements-Croome.
Daniel was born in Norfolk, England. Largely self-taught, he moved to London in 2005 and studied with the guitarist John Russell for two years. Since then, he has performed at many venues and festivals across the UK and Europe. In addition, he has also been organising concerts including the ‘The Shoreditch Church Concert Series' with Benedict Taylor.
Currently you can hear and see Daniel performing solo, with other musicians in many ad-hoc improvising situations and in long-term collaborations or 'working groups'. Recent collaborations include performances and/or recordings with Neil Metcalfe, Steve Noble, Caroline Kraabel, Max Reed, John Edwards, Benedict Taylor, Tom Jackson, Vid Drasler, Evan Parker, Adam Bohman, Sue Lynch, Alex Ward, Kay Grant, Roland Ramanan, Adrian Northover, Marcello Magliocchi, Alan Wilkinson, Colin Webster amongst others.
Daniel is the founder and artistic director of 'Empty Birdcage Records', a label dedicated to releasing documents of free improvisation. emptybirdcagerecords.bandcamp.com
Bill Thompson is a sound artist and composer whose work has been performed extensively throughout the UK and abroad.
A native of Texas, he relocated to the UK in 2004 to pursue a PhD in Composition. Since then he has received numerous awards and commissions including the PRS for New Music ATOM award, the GAVAA visual arts award, a PRS for New Music Three Festival commission, the 2010 Aberdeen Visual Arts Award, and was nominated for the Paul Hamlyn Award in 2012.
As an artist, he has a particular interest in perception and embodied presence. His installations and performances frequently utilize found objects, field recordings, repurposed live electronics, and digital media to create environments that encourage active attention to each moment. He applies this same strategy within his compositional work which often include long sustained tones, densely layered textures, and indeterminate or improvised structures. He has written for a range of instruments including voice, guitar, contrabass, bagpipe, percussion, organ, string quartet, mixed ensembles and live electronics. As a solo performer he works primarily with live electronics although originally trained as a guitarist.
https://billthompson.org/
Bass-clarinetist and multi-instrumentalist Yoni Silver’s activities include hyper-spectral adventures with Iancu Dumitrescu's Hyperion Ensemble; a bass clarinet and percussion duo with Steve Noble; a bass clarinet/violin and possessed vocals duo with Sharon Gal; Denis D’or with Grundik Kasyansky and Tom Wheatley; bass clarinet and drums duo with Crystabel Riley, and solo performances on amplified bass clarinet.
He has appeared on labels such as Creative Sources, Confront Recordings, Wasted Capital, Chocolate Monk and Edition Modern.
