Sunday 19 September 2021, 7.30pm
Pleased to welcome Duo Moment, the project of Kurdistan-Iraq experimental, free-improvisation duo Khabat Abas and Hardi Kurda. The event celebrates the launch of their recent record 'Broken Resonance', available now on Kurdish independent label Space 21. Preceding the duo will be solo sets by Khabat Abas and Hardi Kurda.
Moment is a Kurdish experimental, free improvisation Duo by Khabat Abas and Hardi Kurda. The duo focuses on a moment where sounds emerge through interacting, reflecting, reacting and interrupting each other. Hardi and Khabat want to share their experience of sound making with audience, to experience a world of sounds and noises from East to West.
website: https://space21.bandcamp.com/
Hardi Kurda is a sound artist, improviser, and founder of SPACE21, a sound art and experimental music platform in Slemani, and the Archive Khanah, an interactive sound archive project using the philosophy of computer gaming technology. Currently, he is a PhD candidate at Goldsmiths College, the University of London. He explores radio noises that may have been considered illegal, abandoned, unheard, invisible, broken, distorted, untold, forgotten, or simply noises from nowhere, without a place or destination. He developed the notion of "The Found Score" an instrument as a listening medium, using everyday materials to reimagine listening experiences through engaging other senses based on his listening experience in a crisis when he immigrated illegally to Europe. www.hardikurda.com
Khabat Abas is an experimental cellist, improviser, and composer from Iraqi Kurdistan. She moves freely between artistic discipline and possibilities. Her works are inspired by a broad collection of methods, including noise, improvisation, and narrative storytelling as individual approaches. Therefore, she searches for unheard sounds or undiscovered spaces. Khabat is probably best known for her adapted cello and improvisational work exploring extended techniques, through which she started developing pieces that respond to the objects that are surrounding her or to her childhood memories. In her practice, she raises questions about what is out of bounds, raising the possibilities of sounds that cannot be controlled – in contrast to traditional musical values.