Josephine Foster (b. 1974) is a North American artist celebrated as a singer, multi-instrumentalist, and composer. Renowned for reviving archaic musical forms, she channels the cultural essence of Harry Smith’s “old weird America” with her warbling mezzo-soprano and imaginative artistry, showcased over nearly two decades of self-produced recordings.

As Jarry noted, anachronism—bridging different eras—creates a sense of eternity, a concept perfectly embodied by Foster’s unique songbook. Her musical journey began in the Mountain West, where, at just 15, she performed hymns in a log cabin church. Despite a stage presence marked by quiet reserve, her distinct timbre exudes a paradoxical mix of rustic charm and ethereal sophistication.

In her twenties, Foster immersed herself in Chicago’s experimental rock and free jazz scene, shedding remnants of her early operatic ambitions. A transatlantic move followed, leading her to rural Spain, where she spent over a decade grounding her craft. Later, stints in Nashville’s recording studios further shaped her prolific career, resulting in a rich tapestry of solo and band albums. Whether on stage or in the studio, she has led a variety of ensembles across the globe.

Foster’s artistry draws from timeless spiritual wells, her performances hypnotic and dreamlike. Her otherworldly voice weaves seamlessly with her instruments—guitar, piano, harp, and autoharp—creating folk-inspired songs with intricate and unexpected arrangements. While she gravitates toward piano and organ, she effortlessly adapts to any guitar within reach, adding spontaneity and playfulness to her musical expression.