Sunday 28 May 2023, 2pm
Special matinee show featuring a debut OTO performance from the improvising trio of Eddie Prevost (drums), Silvan Schmid (trumpet) and Tom Wheatley (bass), plus a solo set from N.O. Moore.
With support from
Eddie Prévost began his life in music as a jazz drummer. A recurring interest in this form has been maintained, although always with an experimental ethos. Along the way he has maintained his fifty-year plus experimental credentials with AMM and numerous other improvisation projects, including his now twenty-year long weekly workshop. But drumming has generally been backgrounded to his experimental percussion work. More though, is to be expected of his drumming in 2020 on forthcoming multi-CD album: The Unexpected Alchemy. A part of this Krakow festival recording features the drums and saxophone trio of Ken Vandermark, Hamid Drake, and Eddie Prévost. His most recent released recordings include AMM’s: An Unintended Legacy, and a duo with John Butcher - Visionary Fantasies, both on Matchless Recordings. Also, a solo percussion LP on the Earshots label called Matching Mix. Later, in 2020 he meets with Jason Yarde and Nathan Moore, while in March concerts and recording will hear him drumming with US guitarist Henry Kaiser and saxophonist Binker Golding.
“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker
“Relentlessly innovative yet full of swing and fire.” – Morning Star
Silvan Schmid is a trumpet player based between Zürich and Maastricht. He plays live and does recordings with people and projects such as Solo, Gamut Kollektiv,Miao Silvan Makossiri, Alex Riva, Mraolia, Félicie Bazelaire, ТЕПЛОТА x RIVASCHMID, Lotus Eddé Khouri, TZUSSS, Fabian Saul.
Tom Wheatley is an artist and musician based in London. His work is patterns, rhythms and cycles, at an interface of physical and digital zones. Recently, his music has been documented on video and record.
His main collaborations are ТЕПЛОТА with Grundik Kasyansky, Cast-On with Ilana Blumberg, and various lineups & outputs with Daniel Blumberg, often including Billy Steiger, Ute Kanngiesser and Jim White.
Pre-prepared music (prepared air) with live guitar improvisation.
Following my ‘The Tscherkassky Tape’, performed at Café OTO in 2023, this piece is inspired by the films of Jane Arden, particularly The Otherside of Underneath (1972) and Anti-Clock (1979). My aim is not to create a point-to-point resemblance or musical equivalent, but to simply produce an affect analogous to the films in a different medium. Through this, to further the development of my own musical vocabulary and responsiveness, in a personal drive towards the universal.
Pertinent issues: capitalist realism – capitalism & schizophrenia. What is mental ‘health’ under conditions of capitalism/neoliberalism/patriarchy/Anthropocene? No answers, just problems.
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Why use prepared air? Admittedly, I don’t read music notation. Obviously, notation is a memorialisation by the composer and a communication to the performer: therefore, a question of memory and practice. Prepared air allows for a more imprecise memory and better miscommunications. Consequently, a different type of performance/practice has to be developed in the moment (i.e. improvised). Prepared air encourages a disclosed composition, or decomposition (rather than an enclosed improvisation), to take place. The interesting possibility is that this gives access to a point where entropy and negentropy (what breaks down and what (self) organises) become indistinct.
N.O. Moore can be heard on recent releases Traktor (Shrike Records, with Iris Ederer and Eddie Prévost) and Under the Sun (Matchless Recordings, with Rachel Musson, Olie Brice, and Eddie Prévost). Upcoming is Chord (Shrike Records) and A Company of Others (Matchless Recordings).
