Eddie Prévost

Eddie Prévost began his life in music as a jazz drummer. A recurring interest in this form has been maintained, although always with an experimental ethos. Along the way he has maintained his fifty-year plus experimental credentials with AMM and numerous other improvisation projects, including his now twenty-year long weekly workshop. But drumming has generally been backgrounded to his experimental percussion work. More though, is to be expected of his drumming in 2020 on forthcoming multi-CD album: The Unexpected Alchemy. A part of this Krakow festival recording features the drums and saxophone trio of Ken Vandermark, Hamid Drake, and Eddie Prévost. His most recent released recordings include AMM’s: An Unintended Legacy, and a duo with John Butcher - Visionary Fantasies, both on Matchless Recordings. Also, a solo percussion LP on the Earshots label called Matching Mix. Later, in 2020 he meets with Jason Yarde and Nathan Moore, while in March concerts and recording will hear him drumming with US guitarist Henry Kaiser and saxophonist Binker Golding.

“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker

“Relentlessly innovative yet full of swing and fire.” – Morning Star

Jennifer Allum

Jennifer Allum is a violinist who improvises and plays experimental music.

While she was a post graduate student at Goldsmiths, London she began to attend Eddie Prevost's weekly improvisation workshops where she met musicians like Ross Lambert, Ute Kanngiesser, Dimitra Lazaridou-Chatzigoga and Daichi Yoshikawa. She also began working with composers such as Christian Wolff, Tom Johnson, Michael Pisaro and Michael Parsons around the same time too.

More recently she has played and recorded with The Seen, including performances of John Stevens 'For Sake Of Joy Of Study Of Oneself Together' featuring Stewart Lee as narrator.

She has a number of other recordings available, and her most recent is with John Butcher, Eddie Prevost and Ute Kanngiesser on Ftarri records. Other releases are available from Matchless Recordings.

David Toop

David Toop has been developing a practice that crosses boundaries of sound, listening, music and materials since 1970. This encompasses improvised music performance, writing, electronic sound, field recording, exhibition curating, sound art installations and opera. It includes eight acclaimed books, including Rap Attack (1984), Ocean of Sound (1995), Sinister Resonance (2010), Into the Maelstrom (2016), Flutter Echo (2019) and Inflamed Invisible: Writing On Art and Sound 1976-2018 (2019). Briefly a member of David Cunningham’s pop project The Flying Lizards in 1979, he has released fourteen solo albums, from New and Rediscovered Musical Instruments on Brian Eno’s Obscure label (1975) and Sound Body on David Sylvian’s Samadhisound label (2006) to Entities Inertias Faint Beings (2016) and Apparition Paintings (2021). His 1978 Amazonas recordings of Yanomami shamanism and ritual were released on Sub Rosa as Lost Shadows (2016). In recent years his collaborations include Rie Nakajima, Akio Suzuki, Tania Caroline Chen, John Butcher, Ken Ikeda, Elaine Mitchener, Henry Grimes, Sharon Gal, Camille Norment, Sidsel Endresen, Alasdair Roberts, Lucie Stepankova, Fred Frith, Thurston Moore, Ryuichi Sakamoto. Curator of sound art exhibitions including Sonic Boom at the Hayward Gallery (2000), his opera – Star-shaped Biscuit – was performed in 2012.

http://davidtoopblog.com/

Marjolaine Charbin

Marjolaine Charbin plays piano with an ever mutating mix of keyboard technique and various inside-piano techniques using hands, objects, voice and contact microphones. Her sound sometimes evokes electronic music. Recent collaborations include Eddie Prevost, Jennifer Allum, Ute Kanngiesser, Angharad Davies, Dimitra Lazaridou-Chatzigoga, Dominic Lash, Ed Lucas and Ken Ikeda.

https://www.marjolainecharbin.com
https://www.instagram.com/marjolainecharbin/
https://marjolainecharbin.bandcamp.com