Tuesday 9 December 2014, 8pm
A programme of sound and vision in three sets; presenting new music by four unique performers, and including a preview of "CITATION CITY" by People Like Us.
Sharon Gal is an interdisciplinary artist, performer, vocalist and composer, specialising in free improvisation, experimental music and collaborative, participatory large group compositions. She works with voice, electronics, extended techniques, field recordings, found audio, video and collage; exploring presence, listening, embodiment, and the relationship between people, sound and space. Sharon performs solo and in collaborations with: David Toop, John Butcher, John Edwards, Sue Lynch, Andie Brown, Yoni Silver, Steve Beresford, Phil Minton, Charles Hayward, Anat Ben David and Lina Lapelyte.
Since 2007 she has directed a series of site specific, large group compositions, inviting musicians and non-musicians to take part. She curated music concerts, including the series Sound Matter, at Café OTO, and concerts at Iklectik arts lab. Her music was released by many labels, including five solo albums and various collaborations.
Past performances include The V&A, ICA, The Whitechapel Gallery, Tate Modern & Tate Britain, MACBA, and Colour Out Of Space, Borealis, Supernormal, Supersonic, TUSK and Tectonics festivals.
Etudes by Sharon Gal, a collection of text & colour scores, presented as a deck of 78 cards, was supported by Sound and Music and published in 2021. Her project, Healing Choir, ran @ the Kilburn Tin Tabernacle between August-October 2024.
https://www.sharon-gal.com/
https://sharongal.bandcamp.com
Andie Brown is a musician, artist, maker and researcher who began her music career as a bass player during her teens. In 2007 Andie began performing and recording as a solo artist under the name These Feathers Have Plumes which saw her begin an experimentation with glass and electronics.
In 2016 Andie began to work with sound installation which is now the focus of her practice. In 2019 Andie was one of six recipients of the annual PRSF Oram Awards. Since 2017 Andie has been working on a practiced based PhD at the CeReNeM, University of Huddersfield.
“The most original compositional voice to emerge from Ireland in the past 20 years” (The Irish Times) and “Wild girl of Darmstadt” (Frankfurter Rundschau), composer and performer Jennifer Walshe was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. Recent projects include TIME TIME TIME, an opera written in collaboration with the philosopher Timothy Morton, and THE SITE OF AN INVESTIGATION, a 30-minute epic for Walshe’s voice and orchestra, commissioned by the National Symphony Orchestra of Ireland. THE SITE has been performed by Walshe and the NSO, the BBC Scottish Symphony Orchestra and also the Lithuanian State Symphony Orchestra. A Late Anthology of Early Music Vol. 1: Ancient to Renaissance, her third solo album, was released on Tetbind in 2020. The album uses AI to rework canonical works from early Western music history. A Late Anthology was chosen as an album of the year in The Irish Times, The Wire and The Quietus. Walshe is currently a professor at the Hochschule für Musik und Darstellende Kunst, Stuttgart. Her work was recently profiled by Alex Ross in The New Yorker.
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
This year marks 30 years for People Like Us, marked by a cover feature in The Wire Magazine (May 2021, a touring of Gone, Gone Beyond, a 360 immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican, and an evening hosted by People Like Us at their favourite venue Cafe OTO.
