24–26 October 2024
Join us to celebrate the 70th birthday of one of the greats of improvised music - John Butcher - featuring a line-up comprised of collaborators old and new alongside a solo performance. John Butcher is a saxophonist of rare grace and power, who has expanded the vocabulary of the saxophone far beyond the conventions of jazz and other musics, to encompass a staggering range of harmonics, multiphonics, overtones, percussive sounds, and electronic feedback. But his playing is far more than merely an array of special effects: it's characterised by an intensity that propels it into strange new places that are both incredibly beautiful and deeply exhilarating.
"It still feels quite mysterious to me. How strongly individual players bring their own music to real-time, collaborative performance; and then something new gets cooked, often quite beyond the seeming ingredients. It's in this spirit that I've invited these singular musicians, drawn from a web of connections to be stretched and explored anew. We'll have three duos, the “Fictional Souvenirs” trio, and two new quartets. I’ll also play solo, something I lost a taste for during/after the lockdowns but have recently felt ready to revisit.
Over 25 years my duo with constructive and destructive harp pioneer Rhodri Davies has developed through acoustic, electrical, and symbiotic materials. Now, elements from world-wide harp musics have begun to enter. Sophie Agnel has forged a new sonic space by dissolving the barrier between inside and outside piano. Our duo is relatively new and I find this fluidity inspiring to play with.
Sophie will also join a group with two musicians I’ve valued working with on many projects. Angharad Davies, whose violin can release both lines of mercury and knotty interjections, often at the same time, and Mark Sanders, who is remarkable at shaping endlessly malleable energy and colour.
A completely new situation for me will be to play in duo with Isabelle Duthois. Music that relies on the breath has a special quality and I look forward to interacting with her unique voice work and forensic clarinet. “Fictional Souvenirs” is me, Pat Thomas and Ståle Liavik Solberg, meeting for our third concert. Music formed from Pat’s deep knowledge of piano history and future electronics and Ståle’s sense of pitch, space and propulsion. The final set will be the us in quartet for the first time." – John Butcher
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of artists – including Derek Bailey, Rhodri Davies, Andy Moor, Phil Minton, Christian Marclay, Eddie Prévost, Magda Mayas, Spontaneous Music Ensemble, Sophie Agnel, Gino Robair, Mark Sanders, John Tilbury, Okkyung Lee, John Edwards, Chris Corsano, Polwechsel and Steve Beresford.
Alongside long term projects he values occasional encounters; from large groups such as the WDR Sinfonieorchester & Butch Morris’ “London Skyscraper”, to duo concerts with Joe McPhee, Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Angharad Davies, Otomo Yoshihide and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, three HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
Rhodri Davies is immersed in the worlds of improvisation, musical experimentation, composition and contemporary classical performance. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations and has released six solo albums. His regular groups include: HEN OGLEDD, Cranc, Common Objects and a duo with John Butcher. He has worked with the following artists: David Sylvian, Jenny Hval, Derek Bailey, Sofia Jernberg, Lina Lapelyte, Pat Thomas, Simon H Fell and Will Gaines.
For the last ten years Davies has been closely associated with the pioneering composer Eliane Radigue performing seventeen of her pieces. She composed OCCAM I for Davies in 2011, the first in an ongoing series of solo and ensemble pieces for individual instrumentalists in which a performer’s personal performance technique and particular relationship to their instrument function as the compositional material of the piece. New pieces for solo harp have also been composed for him by: Christian Wolff, Carole Finer, Philip Corner, Phill Niblock, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.
In 2008 he collaborated with the visual artist Gustav Metzger on ‘Self-cancellation’, a large-scale audio-visual collaboration in London and Glasgow. In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award, he was a Chapter Associate Artist (2016-19) and in 2017 he received a Creative Wales Award. He is a co-organiser of the NAWR concert series in Swansea.
If it’s in Paris that Sophie Agnel was born in 1964, it is towards other sounding islands in the heart of a reinvented temporality that she dwells today, at the stern of a grand piano, an instrument that she turns into a real living & vibrating organism.
Classically trained, escaped from jazz (drawn away by the too strict treatment of harmony), Sophie Agnel boards the piano from every sonic angle this musical vessel can offer : keys, strings & board are simultaneously apprehended, in a mixed procedure (as we say of painting techniques) that would be understated if it was reduced to the cagian definition of the prepared piano. Considering the instrument – that she extends with several accessories, paper cups, balls or strings – as a poetic supplier of anamorphic textures, the musician takes it to be an equal match to the wider diversity of musical systems, whatever the craft they where conceived in (from physiological to electro-acoustic) ...
We would then no longer be surprised to notice her understandings with Michel Doneda and to find her to the side of the wet saxophone of Alessandro Bosetti, of the acoustified electric guitar of Olivier Benoit, of the voices of Catherine Jauniaux and Phil Minton, or the keyboard of Christine Wodraska...
The same seal of esthetic evidence marks all of her musical companionships, with this same taste, beyond the narrative, for the delicate sonic quests and blossoming of dimensions to which the auditor takes part through an active listening : in the heart of Jean Pallandre’s phonographic worlds, of Jerôme Noetinger & Lionel Marchetti’s small scale cinema, John Butcher or Axel Dörner’s crimpy tissues, by the lovely machines of Erik M or Ikue Mori, the harmonico-stratospheric rustling of Stéphane Rives...
The originality of the research conducted by Sophie Agnel today leads her to develop, in solo or with significantly chosen companions, a most refined and highly poetic approach to sound that makes each of her concerts a moving construction filled with chiseled musical gestures, a soft and sumptuous irradiation.
Guillaume Tarche
Angharad Davies is a Welsh violinist based in London working with free-improvisation, compositions and performance.Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Common Objects, Cranc and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Richard Dawson, Gwenno, Roberta Jean, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Georgia Ruth and J.G.Thirlwell.
Most of her records are released on Another Timbre but she also has releases on Absinth Records, Confrontrecords, Emanem, Potlatch and winds measure recordings.Her first orchestral piece was commissioned by LCMF in 2019.
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY
Isabelle Duthoit completed her clarinet studies at the CNSM in Lyon in Jacques Di Donato's class.
She soon turned her attention to contemporary music, working with a number of composers. She then found her preferred medium in free improvisation. She has performed and collaborated with many artists on the international experimental scene, including Dieb13, Angelica Castello, Martin Tetreault, Franz Hautzinger, Hamid Drake, Michael Zerang, Naoto Yamagishi, Phil Minton, Luc Ex , Thomas Lehn, Lê Quan Ninh, Jacques Di Donato, Xavier Charles, Sophie Agnel and EriKm. She is a member of Hiatus, Système Friche, Where is the sun, Uruk and has performed at numerous festivals in Australia, New Zealand, Canada, the United States, Zimbabwe, South Africa, Russia, Europe and Japan.
She has always been interested in the voice, and for nearly 20 years has been developing a unique and personal vocal technique. A language before language. A song rooted as much in the breath as in the cry...
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
Ståle Liavik Solberg (drums/percussion) has established a base for himself as a central part of Oslo's thriving improvised music scene. Working with ensembles VCDC, Will it float? (with John Russell, Steve Beresford & John Edwards), Silva-Rasmussen-Solberg trio and in duos with Fred Lonberg-Holm and John Russell his open and attentive drumming has received many positive responses from musicians and audiences in both Europe and the USA. Solberg is also known as one of the driving forces behind the series Blow Out! in Oslo, and he curates the festival with the same name together with fellow drummer / percussionist Paal Nilssen-Love.
