14–21 August 2021, 9am–4pm, Dartington Trust
We will be joining forces with Dartington for their international Summer School & Festival which has been running since 1953 in their beautiful medieval estate in Devon. We will be there for week 4 – 14th – 21st August – where the spotlight falls on jazz and experimental music. As part of our residency we are bringing Ryoko Akama who will be leading a new course in site-specific and situational performance. Within these sessions, participants will use found objects and the abundance of natural phenomena within the Dartington estate to create a sounding space, and assemble various mediums which they will be able to sculpt into new forms. We will also present multi-instrumentalist and composer Ashley Paul who will be offering a course with drummer Crystabel Riley in free improvisation. We hope you can join us.
Also generous student bursaries are available. For all info please visit dartington.org/summerschool
DARTINGTON MUSIC SUMMER SCHOOL & FESTIVAL
Four weeks of shared music making, learning and listening, from early music to jazz. Courses for all ages and abilities, accompanied by a festival of concerts and events, set against the backdrop of a medieval estate in the heart of Devon.
Ashley Paul is an American performer and composer based in London. She uses an array of instruments including saxophone, clarinet, voice, guitar, bells and percussion, mixing disparate elements to create a colorful palate of sound that works its way into her intuitive songs; free forming, introverted melodies. This blend manifests beautiful and simple musical forms against acoustic experimentation.
Ashley has performed or recorded with Phill Niblock, Rashad Becker, Nik Colk Void, Loren Connors, Heatsick, Aki Onda, C. Spencer Yeh, Anthony Coleman, Bass Clef, Joe Maneri, Joe Morris, Seijiro Murayama, Greg Kelley, Bill Nace and Eli Keszler appearing on such labels as Important, PAN, ESP-DISK’ and Tzadik. She received a Masters of Music from New England Conservatory in 2007.
A Japanese-Korean working with installation, performance and composition, residing in Huddersfield, UK.
Her works sculpt domestic appliances and scrap wastes with invisible energy, especially interested in heat, magnetism and gravity, into kinetic contraptions. her works are site-specific, infusing both aural / visual occurrence as one entity, creating ephemeral situations that magnify silence, time and space. Interested in nature of relativity, culture and ecosystem, her artistic practice examines environment, architecture, immigration, conflict and fluidity of being.
She also composes and performs alternative scores and text works in collaboration with other artists and musicians worldwide. She is a member of the lappetites, electronic musician collective since 2000 and a member of the 9-piece band a.hop.
She is an artistic director for ame c.i.c., supporting DIY culture and underground art/music scene. She also co-runs the independent publisher mumei publishing and melange edition.
During the late noughties CRYSTABEL RILEY toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins — human and drum. An interest in dimensional patterns existing on (and off) different surfaces has continued to evolve through exploring the idea of 'care and uncare' of various skin surfaces. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright and recently released a split vinyl with Lolina.
