Wednesday 28 September 2016, 8pm
Okkyung Lee and Bill Orcutt return to OTO following their phenomenal duo performance here last year, subsequently released on our in-house OTOROKU label. Orcutt also performs in a very special trio alongside Pat Thomas (piano) and Paul Abbott (drums).
Okkyung Lee is a cellist, composer, and improviser who moves freely between of artistic disciples and contingencies. Since moving to New York in 2000 she has worked in disparate contexts as a solo artist and collaborator with creators in a wide range of disciplines. A native of South Korea, Lee has taken a broad array of inspirations—including noise, improvisation, jazz, western classical, and the traditional and popular music of her homeland—and used them to forge a highly distinctive approach. Her curiosity and a determined sense of exploration guide the work she has made in disparate contexts.
Even though she is probably known best for her improvisational work utilizing visceral extended techniques for more than a decade, from 2010 Lee started developing many site specific works, responding to its architecture, audience, or objects surrounding her, producing an immersive experience. Most recently she presented Hutton Sori composed for cello and computer generated sounds at Der Sommer in Stuttgart Festival, and Grey Shooting Stars (for Yun Dong-Ju) for cello and pre-recorded sound materials at Bludenzer Tage Zeitgemächer Musik in Austria which involved breaking the fourth wall between the performer and the audience thus challenging the built in hierarchy in traditional concert setting. At Villa Medici for her presentation, Okkyung will continue explore the space in the similar manner while continue breaking away from the conventional cello performance.
She has appeared on more than 30 albums, including a diverse variety of recordings as a leader, whether the acclaimed solo improvisation effort Ghil, produced by Norwegian sound artist Lasse Marhaug for Ideologic Organ/Editions Mego, or composition-driven collections like Noisy Love Songs (for George Dyer), released by Tzadik. In 2018 she released Cheol-Kkot-Sae (Steel.Flower.Bird), an ambitious piece drawing upon free improvisation and traditional Korean music that was commissioned for the 2016 Donaueschingen Festival by SWR2, where she collaborated with western improvisers Marhaug, John Butcher, Ches Smith, and John Edwards along with Pansori vocalist Song-Hee Kwon and traditional percussionist Jae-Hyo Chang. She also leads an intricately nuanced Yeo-Neun Quartet featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik that explores the lyrical side of her writing.
Over the last two decades Okkyung has collaborated with Laurie Anderson, Arca, David Behrman, Chris Corsano, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Bill Orcutt, Marina Rosenfeld, and John Zorn among others. In recent years she’s performed in equally varied contexts, whether embarking on an extended tour with the legendary experimental rock band Swans or collaborating with visual artist Haroon Mizra.
As a curator Lee has programmed concert series at the Stone in New York, the Music Unlimited Festival in Wels, Austria, and at the Jazz House (recently renamed Alice) in Copenhagen, Denmark. In 2015 she was selected as a Doris Duke Performing Artist in 2015, and she has been awarded residencies at Civitella Ranieri in Umbria, Italy in 2015 and Akademie Schloss Solitude in Stuttgart, Germany in 2017. She has been commissioned to compose music and assemble projects for Time Spans Festival in New York, Amsterdam’s Maze Ensemble, Borealis Festival in Bergen, Norway, Nam June Paik Art Center, Korea and Pub Crawl I & II for the London Sinfonietta as part of a Christian Marclay exhibition at White Cube Gallery.
She received a dual bachelor’s degree in Contemporary Writing & Production and Film Scoring from Berklee College of Music in 1998 and a master’s degree in Contemporary Improvisation from New England Conservatory of Music in 2000.
Former guitarist and founder of the duo Harry Pussy (later a trio) Bill Orcutt’s sound is a stuttered reimagining of blues guitar. One can hear familiar Southern folk scales between Orcutt’s jagged solo acoustic phrases, pulling and pushing melodies into unresolved fragments that eventually come unmoored in vast and satisfying note-torrents.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
Paul Abbott is a musician and drummer. He plays with real and imaginary drums, synthetic sounds, performance and writing.
Recent and ongoing collaborations include: XT with Seymour Wright; XT+Pat Thomas; XT+Anne Gillis; X Ray Hex Tet; F.R.David, very good* & Rosmarie with Will Holder; film sound for Keira Greene; Rian Treanor Duo; RP Boo Trio with XT; The Creaking Breeze Ensemble with Nathaniel Mackey; yPLO with Micheal Speers and performances with Cara Tolmie.
Paul has performed at venues and festivals internationally. He was a co-founder and co-editor of Cesura//Acceso journal for music, politics and poetics, and SAM resident artist at Cafe OTO 2015. In 2022 he completed a PhD at the University of Edinburgh under the supervision of Florian Hecker and Nikki Moran. He is currently undertaking research at Royal Conservatoire/Academy Fine Arts Antwerp.
Recent releases include: solos Nsular, Ductus; XT+Pat Thomas “Akisakila” / Attitudes of Preparation (Mountains, Oceans, Trees); XT Deorlaf X, Palina’Tufa; Creaking Breeze Ensemble & Nathaniel Mackey Fugitive Equation; F.R.David very good*; RP Boo Trio 31.12.18.
