Sunday 12 January 2025, 7.30pm
Delighted to host the phenomenal improvising trio of Alexander von Schlippenbach (piano), Evan Parker (saxophone) and Paul Lytton (percussion)! For this two-day residency they'll also be joined for special quartet and quintert sets by Axel Dörner (trumpet) and John Edwards (bass).
Well known - in improvising circles - for his trio with Evan Parker and Paul Lovens and as constant moving force behind the Globe Unity Orchestra, Alex von Schlippenbach's involvement with the music spans over 30 years and, inevitably, many other associations.
Schlippenbach started to play piano from the age of 8 and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof. At the age of 28 he founded the Globe Unity Orchestra. In 1988, he founded the Berlin Contemporary Jazz Orchestra, a big band that has over the years comprised, among others, Willem Breuker, Paul Lovens, Misha Mengelberg, Evan Parker, Schlippenbach's wife Aki Takase and Kenny Wheeler. In 1994 he was awarded the Albert Mangelsdorff prize.
Schlippenbach has produced various recordings and worked for German radio channels. He played with many players of the European free jazz community. In 2005 he recorded the complete works of Thelonious Monk, which were released on CD as Monk's Casino.
"If you've ever been tempted by free improvisation, Parker is your gateway drug." - Stewart Lee
Evan Parker has been a consistently innovative presence in British free music since the 1960s. Parker played with John Stevens in the Spontaneous Music Ensemble, experimenting with new kinds of group improvisation and held a long-standing partnership with guitarist Derek Bailey. The two formed the Music Improvisation Company and later Incus Records. He also has tight associations with European free improvisations - playing on Peter Brötzmann's legendary 'Machine Gun' session (1968), with Alexander Von Schlippenbach and Paul Lovens (A trio that continues to this day), Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, and Barry Guy's London Jazz Composers Orchestra (LJCO).
Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time.
Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist. He began on drums at age 16 and played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).
A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976. Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. As well Lytton collaborated with Jeffrey Morgan (alto & tenor saxophone) with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany.
German trumpeter Axel Dörner has a unique style of playing based on unusual, often self-invented techniques that make use of breath and microscopic sounds as much as conventional note-playing - but that didn't stop him winning the prestigious SWR Jazz Prize in 2006.One Final Note has described him as “one of the most interesting improvisers in the world, an instrumentalist of prodigious technique, deep sensitivity, and a creativity that continues to grow with each release.”
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
