Thursday 27 July 2017, 7.30pm
SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.
SOLO: Lucia H Chung
DUO: Alex Ward & Michael Speers
TRIO: Alison Blunt, Graham Dunning & Sue Lynch
£7 on the door (£5 members)
Alison Blunt has performed new work using improvisation throughout Europe, Scandinavia, US, Brazil, Australia and New Zealand with a wide array of artists including Avreeayl Ra Amen, Renee Baker, John Edwards, Vinny Golia, Elisabeth Harnik, Tristan Honsinger, Audrey Lauro, Hannah Marshall, Gianni Mimmo, Evan Parker, Ute Wassermann and Trevor Watts. She is a founder member of several ensemble projects including Barrel, Barcode Quartet and Hanam Quintet and occasionally performs as soloist. Amongst broader performance and research activities Alison has collaborated with writers, visual artists, dancers and film makers and leads creative music workshops with children, families, conservatoire students and professional musicians.
"Blunt herself has the same spontaneous attitude for superb control of timbre and sound, while remaining utterly free in her inventiveness". Steff Gijssels, FREE JAZZ BLOG
Graham Dunning is self-taught as an artist and musician having studied neither discipline academically. His work explores sound as texture, timbre and something tactile, drawing on bedroom production, tinkering and recycling found objects. He has performed solo and in ensembles across the UK, and Europe, and shown solo sound installations in the UK, New Zealand and USA. He teaches Experimental Sound Art at the Mary Ward Centre in London and also gives various independent workshops. Dunning has released through Entr’acte, Seagrave, Tombed Visions and more.
Michael Speers (b.1992) is a musician from County Down, Ireland working with natural & synthetic sound material—using drums, computer, microphones, feedback—in performance, installation and electroacoustic composition
currently a PhD student at the Sonic Arts Research Centre, Belfast.
Recordings published by Anòmia, C.A.N.V.A.S., Party Perfect!, Wasted Capital Since 2013, Takuroku, Krim Kram and Feedback Moves.
Tenor saxophone, clarinet, flute and composition. Sue Lynch currently runs ‘The Horse Improvised Music Club’ with Adam Bohman, Hutch Demouilpied and Adrian Northover.Performs with Adam Bohman, Eddie Prevost, Richard Sanderson, Anna Homler, Steve Noble, Crystabel Riley, Caroline Kraabel and Sharon Gal.
In 2016 she formed, ‘Paradise Yard’, an electro acoustic ensemble, featuring women improvisers, performing at Iklectik, Cafe Oto and The ICA. In 2018, she performed at 3 Klange Tag Music &Word Festival, Switzerland with Hildegard Kleeb, at Womad BBC Stage and, Tusk Festival and Guess Who Festival with Psychedelic Afro Beat Sudanese band, The Scorpios. Solo performance at Pied Nu Festival, Le Havre 2019. Recent releases with FMR records with ‘Dial’, a quartet featuring, Sue Lynch, Dawid Frydyk, John Edwards and Dave Fowler and ‘Secant/Tangent’ (dxdy recordings) with Crystabel Riley and Nathan Moore.
https://suelynch.bandcamp.com/
Lucia H Chung is a Taiwanese artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy.
Lucia’s passion lies in live performance and has regularly performed solo and with collaborators in the UK, Europe, Asia and North America, including Lausanne Underground Film and Music Festival, Krama Festival, Lisboa Soa Festival, Sanatorium of Sound Festival and Festival Electropixel.
‘Fuzz comes alive, moving at odd angles like the sinuous threads are being chased by a series of subatomic bleeps and flashes. Tension rises as the tempo picks up, fueling the disjointed rhythmic quality within each sterile, self-contained unit.’ – Fox Digitalis
