The Apophonics are John Butcher, Gino Robair and John Edwards. With a focus on innovative textual playing, their sound is dizzyingly expansive. Stuttering birdsong meets metallic bass and lilting melodies emerge from guttural tension. Complex and playful, the trio hot-foot around each others interventions with delightful ease.
---
John Butcher / saxophones
John Edwards / double bass
Gino Robair / energised surfaces
---
Recorded by Kate Arnold. Mixed by John Butcher. Mastered by James Dunn. Photo by Günther Gröger.
---
Tracklist:
1. Hunting (26.23)
2. Dodging (25.46)
3. Leading (7.24)
Availiable as a 24bit FLAC or 320k MP3
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of artists – including Derek Bailey, Rhodri Davies, Andy Moor, Phil Minton, Christian Marclay, Eddie Prévost, Magda Mayas, Spontaneous Music Ensemble, Sophie Agnel, Gino Robair, Mark Sanders, John Tilbury, Okkyung Lee, John Edwards, Chris Corsano, Polwechsel and Steve Beresford.
Alongside long term projects he values occasional encounters; from large groups such as the WDR Sinfonieorchester & Butch Morris’ “London Skyscraper”, to duo concerts with Joe McPhee, Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Angharad Davies, Otomo Yoshihide and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, three HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Gino Robair’s artistic practice examines how systems of human interaction are influenced by perceptions of materiality. His PhD research at the University of California, Davis focuses on papermaking as a form of embodied choreography; a performative process that puts artists in conversation with their tools, materials (plant fiber, water), and ambient environment (air temperature and humidity). The results of this interaction are ephemeral memory objects carrying traces of their materialization that can be used as resources for interpretation within a performance context. As a composer and percussionist, Gino has recorded with Tom Waits, Anthony Braxton, Terry Riley, Lou Harrison, John Butcher, Derek Bailey, Fred Frith, Otomo Yoshihide, and the ROVA Saxophone Quartet. His opera, I, Norton, based on the life of the self-proclaimed Emperor of the United States, has been performed throughout North America and Europe.
https://www.ginorobair.com
