| 1 | Toca Joga | 5:31 |
| 2 | Quanto Tempo | 3:52 |
| 3 | Polvo | 4:52 |
| 4 | Rio Branco | 5:21 |
| 5 | Joga Toca | 3:26 |
| 6 | Que Horas | 5:02 |
| 7 | Tonto | 7:03 |
| 8 | Batida | 4:35 |
"Since leaving Rio, Cyro has been accepted as one of the world's leading Brazillian percussionists, recording with Paquita de Rivera, Ruben Blades, Astrud Gilberto and lots of people like that. We met in New York while I was living there in the winter of 1982 and first played together at the Ear Inn on Spring St. In the following months we played all kinds of places, occasions which figured prominently among the many musical pleasures I enjoyed during that period. One such occasion, thanks to Bill Laswell, was this recording." - Derek Bailey.
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Derek Bailey / guitar
Cyro Baptista / percussion
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Tracklisting:
1. Toca Joga - 5:32
2. Quanto Tempo - 3:53
3. Polvo - 4:53
4. Rio Branco - 5:21
5. Joca Toca - 3:26
6. Que Horas - 5:02
7. Tondo - 7:04
8. Batida - 4:36
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Recorded by Martin Bisi in October 1982, New York City. Produced by Adam Skeaping and John Haddon. Design by Karen Brookman. Photos by Eleonora Alberto and Karen Brookman.
Available as 320k MP3 or 16bit FLAC
Derek Bailey was one of the most influential and adventurous experimental guitarists to come from England (Sheffield), evolving out of the trad-jazz scene of the fifties into the avant/jazz scene in '60s London. By the late sixties he was a member of the Joseph Holbrooke Trio, Spontaneous Music Ensemble and Music Improvisation Company which later became the amorphous Company under his leadership. These groups were at the birth and center of the British free-jazz scene. In the early seventies, Derek Bailey and Evan Parker started their own record label called Incus Records - one of the first artist-run labels.
Although Derek played with members of the British free/jazz scene, he also forged relationships with a number of European players like Han Bennink & Peter Brötzmann, Japanese free players like Abe Kaoru, Toshinori Kondo, as well as American improvisers like Anthony Braxton, George Lewis and John Zorn to name a few.
Derek organized an annual festival called Company Week in the 80's & 90's, which brought together a unique group of international improvisers from varied backgrounds.
"He was a man who repelled pretension, refused to be shoehorned into comfortable categories, and played amazing guitar." - John Butcher
"I do not subscribe to the idea that free improvisation began or ends with any individual. This only suggests that somehow the music Derek made was so individualistic that it failed to communicate anything beyond personal expression." - Eddie Prevost
Cyro Baptista is a Brazilian percussionist, known for hand building many of the percussion instruments he plays. Born in São Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York.
Batista has played with Herbie Hancock, John Zorn, Robert Palmer, Laurie Anderson, Derek Bailey and Brian Eno to name a few. His percussion and dance ensemble ‘Beat the Donkey’ has had two albums released on Zorn’s Tzadik label.
Baptista also conducts educational "rhythm workshops" in a variety of formats. He has provided presentations for a range of audiences, from elementary school children to professional musicians.
