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1 | Episode 3 | 8:36 |
| 2 | Ace in the Hole | 2:56 | |
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3 | Red 5 Shimey | 5:30 |
| 4 | Ghosting | 2:21 | |
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5 | Bigshots | 9:42 |
| 6 | Lumpy | 3:59 | |
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7 | Roaring | 1:35 |
| 8 | Just The Way It Is | 5:15 | |
| 9 | 4 A.M Farewell | 1:50 | |
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10 | The Last Shot | 21:12 |
After making his debut record for Incus Original Gravity, Bevan returned to the label with a new trio, joined by Steve Noble on percussion (Ya Boo, False Face) and Paul Rogers on bass. Quick intuition, a broad dynamic spectrum, and dazzling tonal colors. On a canvas of metallic percussion by Steve Noble, Bevan manipulates his striated tone like a painter adjusting brush strokes- some sounds are long, wide, and spacious, others squat and impossibly dense. This is at the relatively louder end on Bevan's work on Incus - especially when compared to Bevan / Bailey collabs like Limescale and Good Cop, Bad Cop.
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Paul Rogers / double bass
Steve Noble / percussion
Tony Bevan / saxophones
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Recorded on 25th July 1991 at Holywell Music Room by Michael Gerzon. Produced by Steve Noble & Tony Bevan. Designed by Steve Noble. Photography By Thomi Wroblewski. Post Production by John Hadden
