1 | metal desk | 4:51 |
2 | cold porch | 3:25 |
3 | fuse box | 2:13 |
4 | outhouse | 10:46 |
5 | utility box | 1:08 |
6 | cove by mailbox | 1:46 |
Darcy Spidle (chik white) explores the fugitive spaces in and around his home in Chezzetcook (Nova Scotia), mapping a multi-faceted aural topography with his mouth and various objects. In the old outhouse in his shed he plays some mouth harp, regurgitating his emotions in a series of spasms and tightly controlled muscle flexes. Over in the humble cold porch he treats us to a bit of yodelling that borders both the beautiful and the absurd. Along by the mailboxes down the street a little strip of cove becomes a temporary space for some bird nose flute recordings, whilst back on his property he picks up electronic magnet field recordings using a handy Soma Ether V2. Recordings of the utility box in his driveway and the fuse box in his basement seem to be haunted by the ghost of Merzbow, but we'll leave that problem to Nova Scotia's parapsychologists.
Tracklisting:
1 - metal desk (4.52)
2 - cold porch (3.25)
3 - fuse box (2.14)
4 - outhouse (10.47)
5 - utility box (1.09)
6 - cove by mailbox (1.46)
Darcy Spidle has long used the moniker chik white for various art projects. His latest efforts centre around the jaw harp, a pancultural, ancient instrument steeped in mystical allure. Inspired by sound poetry, noise, free improvisation, Dada, nature, and the human voice, chik white harp explorations aim to conjure visceral experiences.