1 | Chiltern A | 19:50 |
2 | Chiltern B | 20:46 |
Conceived whilst wandering through the iron bark forests and gold fields of country Victoria the official debut by Melbourne’s Hour House gifts a musical blueprint marinated in mystery, beauty, sound and song. Hour House is the Melbourne based duo of Mark Leacy and Sam Kenna, formerly of the Newcastle based outfit Castings. Penultimate Press is proud to release their official debut LP Chiltern. Comprised of individual tracks folded into two side long suites Chiltern is an unique excursion through foreign encounters, warm surrounds and disorientating comfort. Field recordings, electronics, samples, guitars, voice and atmospherics all contribute to form a bewitching whole.Many questions are raised: Is this a soundtrack to a mental experience or an altered take on a familiar reality? Is section 3 based around the sound of a basketball court? Does section 4 comprise a song? Where do the original soviet science fiction soundtracks fit into all this? Is this sound or music? Simultaneously ambiguous and accessible Chiltern is a ride unlike another and resides as the consciousness tickling release of 2015.
Mastered by Jason Lescalleet at Glistening Labs, and with stunning artwork by Alice Wormald.
Available as 320kbp MP3 or 24bit FLAC
Tracklisting:
1. Chiltern - Side A - 19:50
2. Chiltern - Side B - 20:56
Australia's Hour House offer a musical blueprint marinated in mystery, beauty, sound, and song. Hour House is the duo of Mark Leacy and Sam Kenna, formerly of the Newcastle-based outfit Castings. Their debut LP Chiltern comprised individual tracks folded into two side-long suites in a unique excursion through foreign encounters, warm surrounds, and disorienting comfort. Field recordings, electronics, samples, guitars, voice, and atmospherics all contribute to form a bewitching whole. Many questions are raised: is this a soundtrack to a mental experience or an altered take on a familiar reality? Is the third section based on the sound of a basketball court? Does the fourth form a song? Where do the original Soviet science fiction soundtracks fit into all this? Is this sound or music? Simultaneously ambiguous and accessible Hour House unfold a consciousness-tickling ride unlike any other.