1 | First Gate | 5:16 |
2 | First Variation | 3:05 |
3 | Second Gate | 4:05 |
4 | Third Gate | 6:18 |
5 | Second Variation | 6:19 |
6 | Fourth Gate | 6:01 |
7 | Fifth Gate | 8:14 |
Gates And Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each other's space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that it's hard to tell if it's intended or if something imperceptible within you shifted the locus of your perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. There's a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning." --Bill Nace, Philadelphia, PA, September 2017.
Available as 320k MP3 or 24bit FLAC
Tracklisting:
1. First Gate
2. First Variation
3. Second Gate
4. Third Gate
5. Second Variation
6. Fourth Gate
7. Fifth Gate
Composer/filmmaker Jake Meginsky, a New Music USA award winner and Massachusetts Cultural Council Fellow in both music and film, has collaborated and performed with an extraordinary range of musicians including Milford Graves, Alvin Lucier, Joan La Barbara, Kim Gordon, Vic Rawlings, Greg Kelley, Bhob Rainey, Joe McPhee, Thurston Moore, William Parker, Daniel Carter, Paul Flaherty, John Truscinski, Arthur Brooks, and Bill Nace.
Meginsky has been reviewed extensively in leading contemporary music, art and culture publications worldwide. In 2018 Artforum Magazine wrote, "On recent releases, Meginsky juggles off-kilter patterns of undulating bass, prickly sine pulses, and shards of white noise to build rhythmic worlds of dizzying density, depth, and textural variety." Art In America Magazine says, “Meginsky’s digital concrète takes percussion to outer extremes.” David Keenan called Meginsky’s 2014 solo record, L’appel Du Vide, “a hallucinatory electro percussion masterpiece”. Meginsky's debut solo album, L’appel Du Vide, was included in the WIRE Magazine's Top 10 Records of the Year for Outer Limits and his third release, Seven Psychotropic Sinewave Palindromes, was listed in FACT Magazine’s Top 50 Albums of 2016.