| 1 | Duet One | 10:38 |
| 2 | Duet Two | 10:40 |
| 3 | W.P Solo | 10:09 |
| 4 | Duet Three | 8:58 |
| 5 | J.L Solo | 6:00 |
| 6 | Duet Four | 7:52 |
A live recording by two great bass players at the "Sons d'Hiver" festival on January 9, 1998.
"Though the basses often soar and sing here, the notion of fundamentals, of the deepest pitches, remains at the core of this music, bending our ears to the subtler vibrations, training them in the messages of a profound human history. This concert is a ceremony and seminar, roots and branches, essential human song welling through and out of fundament" - Stuart Broomer
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Joelle Leandre / bass, voice
William Parker / bass
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Recorded at the festival "Sons d'Hiver", 9 January, 1996, at the Theatre A. Vitez, Ivry sur Seine by Jean-Marc Foussat. Illustration by LS Popova.
Available as 320k MP3 or 16bit FLAC
Tracklisting:
1. Duet One - 10:38
2. Duet Two - 10:41
3. W.P. Solo - 10:10
4. Duet Three - 8:58
5. J.L. Solo - 6:01
6. Duet Four - 7:52
William Parker is an improviser, and composer. He plays the bass, shakuhachi, double reeds, tuba, donson ngoni and gembri. He entered the music scene in 1971, and quickly became a sought after bass player in the New York music scene. He has played with many musicians from the avant-garde such as, Bill Dixon, Sunny Murray, Charles Tyler, Alan Silva, Frank Wright, Rashid Ali, Donald Ayler, Sonny Simmons, Jeanne Lee, Don Cherry, Cecil Taylor, Jimmy Lyons, Milford Graves and with traditionalists like Walter Bishop, Sr. and Maxine Sullivan.
"William Parker, the former Cecil Taylor sideman, exhibits a fearlessness, double-bass virtuosity and tough lyricism that perhaps makes him the closest bassist/composer equivalent to the late Charles Mingus." John Fordham, The Guardian
William’s early collaborations with the dancer and choreographer Patricia Nicholson created a large repertoire of composed music for ensembles ranging from solo works to big band projects. Parker played in the Cecil Taylor Unit from 1980 through 1991. He has also performed with musicians from the AACM such as Muhal Richard Abrams, Roscoe Mitchell, Henry Threadgill, Anthony Braxton, Wadada Leo Smith, Ernest Dawkins, and The Art Ensemble of Chicago.
In addition to his work with artists in the United Stated, William Parker has developed a strong relationship with musicians in the European Improvised Music scene such as Peter Kowald, Peter Brotzmann, Han Bennink, Tony Oxley, Derek Bailey, John Tchicai and Louis Moholo.
French double bass player, improviser and composer, Joëlle Léandre is one of the dominant figures of the new European music. Trained in orchestral as well as contemporary music, she has played with l’Itinéraire, 2e2m and Pierre Boulez’s Ensemble Intercontemporain. Joëlle Léandre has also worked with Merce Cunningham and with John Cage, who has composed especially for her – as have Scelsi, Fénelon, Hersant, Lacy, Campana, Jolas, Clementi and about 40 composers.
As well as working in contemporary music, Léandre has played with some of the great names in jazz and improvisation, such as Derek Bailey, Anthony Braxton, George Lewis, Evan Parker, Irene Schweizer, William Parker, Barre Phillips, Pascal Contet, Steve Lacy, Lauren Newton, Peter Kowald, Urs Leimgruber, Mat Maneri, Roy Campbell, Fred Frith, John Zorn, Mark Naussef, Marilyn Crispell, India Cooke and so many others…
She has written extensively for dance and theater, and has staged a number of multidisciplinary performances. She got the DAAD at Berlin, is welcomed as artist resident at Villa Kujiyama (Kyoto). In 2002, 2004 and 2006, she is Visiting Professor at Mills college, Oakland, CA, Chaire Darius Milhaud, for improvisation and composition. Her work as a composer and a performer, both in solo recitals and a part of ensembles, has put her under the lights of the most prestigious stages of Europe, the Americas and Asia.
