| 1 | curling - charred | 8:51 |
| 2 | mud - hiss | 8:25 |
| 3 | findamental field | 14:51 |
| 4 | generative grammar | 29:13 |
First meeting of pianist Matthew Shipp and reed player John Butcher recorded here back on Valentine’s Day 2010. It was an unusual, perhaps even awkward combination, given Shipp’s deep roots in the American free jazz tradition and Butcher’s key position at the more abstract end of European free improvisation, but the pairing proved productive, and the two pugnacious individualists found a common space in which to work and forge new musical bonds.
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Matthew Shipp / piano
John Butcher / saxophones
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Tracklisting:
1. Curling / Charred - 8:51
2. Mud / Hiss - 8:25
3 . Fundamental Field - 14:51
4. Generative Grammar - 29:13
Recorded live at Cafe OTO on 14 February 2010 by Sebastian Lexer. Special thanks to producer Peggy Sutton
Available as 320k MP3 or 16bit FLAC
Steeped in the history of the jazz avant-garde yet with an unmistakeably individual voice, Matthew Shipp has established himself as one of the most important figures in American creative music today. Combining an uncompromising personal language with an exemplary eclecticism, Shipp has worked with an astonishing array of musicians, including Roscoe Mitchell, David S. Ware, Antipop Consortium, William Parker, Mat Maneri, Spring Heel Jack, J Spaceman, Evan Parker, and Nate Wooley.
“Shipp’s approach to the keyboard is a study of tone, decay, muscle, and grace . . . round filigree unfolding amid monumental bell-like clangs . . . rangy attack that volleys from dense clusters that nearly distort themselves to barely perceptible skims of the keyboard . . . stark and insistent and utterly massive.” – Clifford Allen, Tiny Mix Tapes
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of artists – including Derek Bailey, Rhodri Davies, Andy Moor, Phil Minton, Christian Marclay, Eddie Prévost, Magda Mayas, Spontaneous Music Ensemble, Sophie Agnel, Gino Robair, Mark Sanders, John Tilbury, Okkyung Lee, John Edwards, Chris Corsano, Polwechsel and Steve Beresford.
Alongside long term projects he values occasional encounters; from large groups such as the WDR Sinfonieorchester & Butch Morris’ “London Skyscraper”, to duo concerts with Joe McPhee, Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Angharad Davies, Otomo Yoshihide and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, three HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
