Sold out as a CD, we're pleased to add this classic duo's second release to the shop. Dada-da follows the debut vinyl release (also on Leo) Ammo, and was recorded in London by Emanem's Martin Davidson.
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Phil Minton / vocals
Roger Turner / percussion
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Tracklisting:
1. Ah Ha - 2:19
2. Wa Wa - 3:50
3. Lala La La La - 5:18
4. Car - 4:47
5. Za Za - 10:38
6. Chacha Cha - 13:19
7. Ba Ba - 3:58
8. La Du Da - 5:36
9 . Dee Da - 4:33
10. Da Da - 0:35
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Recorded at the Singapore Pedang, London, 18 January, 1993 by Martin Davidson. Artwork by L. Denis. Remastered by D. Bernez.
Available as 320k MP3 or 16bit FLAC
For a long time now Phil Minton has been working as a improvising singer, solo and in groups and situations at various locations all over the place, deserts, quarries, concert halls, pubs, holes, dodgy clubs, containers, up trees, in prisons, on mountains, in churches, under bridges and cafe oto etc.
Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s - Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980′s.
For most of the last forty years, Minton has been working as an improvising singer in lots of groups, orchestras, and situations. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians, including tours with American singer Audrey Chen - with whom he has sang far and wide in the last ten years.
Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries.
Born 1946, ROGER TURNER grew up amongst the Canterbury musical life of the 1960s with a strong foundation in jazz. Since 1974 his work has been focused on exploring a more personal percussion language through the processes of improvisation. Solo performances, connections with experimental rock music & open-form song, extensive collaborations with dance, film and visual art, and involvements in numerous jazz-based ensembles and workshop residencies have all formed part of that development.
