| 1 | Russell & Day 1 | 21:13 |
| 2 | Russell & Day 2 | 1:17 |
| 3 | Russell & Day 3 | 1:21 |
| 4 | Russell & Day 4 | 0:56 |
| 5 | Russell & Day 5 | 2:02 |
| 6 | Russell & Day 6 | 10:42 |
| 7 | Russell & Day 6 | 7:10 |
| 8 | Russell & Day 8 | 6:34 |
| 9 | Russell & Day 9 | 7:35 |
| 10 | Russell & Day 10 | 9:39 |
Russell & Day regularly got together for afternoon sessions in John Russell’s flat in Finsbury Park London during the 1970s.
JR & TD first encountered each other at the Little Theatre Club. TD had been playing at the Club in the Late 1960s with the first generation of improvisers. Then in the early 1970’s the second generation of improvisers, inclusive of JR, turned up at the club. JR & TD were also members of Mal Dean’s ‘AMAZING BAND’, & toured Holland with Luc Houtkamp’s ‘CLIMAAT’
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John Russell / guitar
Terry Day / mandolin
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Recorded by Terry Day in the mid 1970s.
Digitally transferred from cassette to CD + mixed & mastered by Yadley Day.
“for Russell the fingerboard is apparently multiple. He finds new tones in the same place, new relationships in the same gesture. A second trip across the fingerboard is always a different excursion. The harmonic is a transparent sound: silence and ambient sound pass through it. It accounts for Russell’s unhurried pace and his sense of order, even when he’s playing fast: there’s simply so much going on.” - Stuart Broomer, Point of Departure
John Russell got his first guitar in 1965 while living in Kent and began to play in and around London from 1971 onwards. An early involvement with the emerging free improvisation scene (from 1972) followed, seeing him play in such places as The Little Theatre Club, Ronnie Scott’s, The Institute of Contemporary Arts, The Musicians’ Co-Op and the London Musicians’ Collective.
From 1974 his work extended into teaching, broadcasts (radio and television) and touring in the United Kingdom and, ever extensively, in other countries around the world . He has played with many of the world’s leading improvisers and his work can be heard on over 50 CDs. In 1981, he founded QUAQUA, a large bank of improvisers put together in different combinations for specific projects and, in 1991, he started MOPOMOSO which has become the UK’s longest running concert series featuring mainly improvised music.
Terry Day is a first generation pioneer improviser from the 1960s: an improviser, multi-instrumentalist, lyricist, songwriter, visual artist and poet.
A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early ‘60s he formed the Hardy Holman Day trio, focusing on free improvisation. Later he became part of the band Kilburn & the Highroads, with Ian Dury. Sharing their interest in visual art and painting they both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the ‘60s he was also a pioneer of free improvisation, free jazz & experimental music.
He formed a duo with guitarist Derek Bailey in the late ´60s and was a regular member of The Continuous Music Ensemble,The People Band and, later on, Alterations with David Toop, Steve Beresford & Peter Cusack.
Terry has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre. He now plays bamboo reed flutes, drums, recorders, balloons & improvises with his lyrics, prose and verse. Since 2000 he has been part of London Improvisers Orchestra. In recent years he has toured twice in both Japan and Brazil, and has performed with improvising orchestras in Malaga, Tokyo and Madrid.
