Eddie Prévost

A founder-member of AMM (1965-2022)

“[Eddie Prévost’s] is one of the greatest metallurgists that music has produced. […] sparks delicately arcing through the air, of slow lava ingesting its surroundings, of the shifting grind of tectonic plates across each other, of the rustle and glint of a firebird darting between shadows, and of ore smashing into the surface of the earth; but perhaps this language is overwrought: all that needs to be remarked upon is Prévost's industry, his diligence.”
Nathan Moore — liner note to AMM’s ‘Indúsria’
Matchless Recordings mrcd105.

But beyond this work Prévost has also maintained a relationship with the jazz drum-kit.

“His free drumming flows superbly making perfect use of his formidable technique, but his most startling feature is his stylelessness. It’s as though there has never been an Elvin Jones or a Max Roach.” - review of a set with saxophonist Lou Gare, Melody Maker (27.03.1975)

“Prévost, meanwhile, was simply miraculous; it was fascinating to watch him and to compare his approach with that of a Kern or a Nilssen-Love. I can only say that he was possessed of an uncanny, burning intentness that navigated the ensemble through passages of stark, sculpted beauty, grave concentration and full-on, bristling energy.”
Blue Tomato, Vienna 2012. In concert with Marilyn Crispell and Harrison Smith. Richard Rees-Jones

“An excellent release from one of the finest percussionists around, jazz or otherwise.” review of Prévost’s solo CD ‘Collider’
Matchless Recordings mrcd106 – Brian Olewnic, Squidsear (2022).

“Relentlessly innovative yet full of swing and fire.” – Morning Star

Sachiko M

Sachiko M has been active as a sampler player since 1994. Early in her career she was involved in the cut-up and "plunderphonic" (or "plagiaristic") sampling movements. In '98, in a drastic departure from those approaches, she originated the revolutionary method she uses to this day--manipulating the sampler's internal test tones. With the 2000 release of Sine Wave Solo, her extreme solo recording consisting entirely of sine waves, Sachiko M suddenly became the focus of intense interest on the international scene, including European music festivals and Britain's Wire magazine. Since then she's been active on an irregular basis in a number of projects--including the experimental electronic music duo Filament, the electronics trio I.S.O., a duo with Toshimaru Nakamura, and the duo Cosmos with Ami Yoshida--in addition to collaborating with various musicians from other countries. Two of the solo projects she's currently working on are the live performance series Bar Sachiko and the sound installation I'm Here.