Saturday 22 September 2018, 7.30pm
Hugely excited to present a three-day residency with the one and only Wolf Eyes following on from the reissue of their seminal Dread LP as well as new double LP from Universal Eyes – Four Variations On 'Artificial Society – that brings together Wolf Eyes and the reborn Universal Indians project which first emerged in 1993.
Born in the dead, dread-filled haunted hills of Michigan, Wolf Eyes are the rabid beasts of Trip Metal & have been plowing thru new tunnels of the underworld since 1997. Pure audio stunn, homemade post-nuclear terror & claustrophobic atmospheres -- the most shattered and confusing horrorvision since Bo Diddley dropped the duct taped warhead on all humans in 2024.
Hailing from Michigan, Aaron Dilloway was a founding member of formidable trip metal gods Wolf Eyes. Since he left that band a decade ago, he’s delicately extended his exploration of tape manipulations and found sound appropriation, simultaneously bringing warmth and acidity, high-end assault and dreamy dislocation in a way that could be said to unwittingly form a bridge between Robert Ashley and hauntology.
A serial collaborator, he’s also made great records in cahoots with Jason Lescalleet, C. Spencer Yeh and many more and been compared to Maryanne Amacher and Nurse With Wound. Currently based in Oberlin, Ohio, from where he runs the Hanson Records label and mailorder.
Irish artist Vicky Langan will DJ. Mysterious fragments, textural soundings.
“Through her solo work as Wölflinge, Irish artist Vicky Langan has gained a reputation for raw and intense performances that are as likely to leave audiences feeling deeply unsettled as profoundly moved. Langan both embraces and projects vulnerability, offering an intimate physical theatre loaded with personal symbolism and unguarded emotion. With a focus on the sounds of the body and its functions, involving contact-miked skin, amplified breath and live electronic manipulation, Langan’s work sits between sound and performance art.” – Daniel Spicer, The Wire magazine
Vicky Langan's vulnerable, emotionally charged performances envelop audiences in an often troublingly intense aura of dark intimacy. In opening herself emotionally, she creates warm yet discomforting rituals that at once embrace the viewers and remain resolutely private, exploring the limits of what can be shared between people and what must remain mysterious. Her performance practice operates across several often overlapping fields, chiefly performance, sound, and film.
RETURN OF THE LIVING DIRT
IT'S NOT GOOD FOR YOU JUST BECAUSE IT HURTS
14th drawer down since 2017 or 2003, depending how you count it
Waiting for transport into Stab Central
our jawlines are splinters where glass used to be
our facial tissue is all tissue paper
never no layoff from this
condensery
Makrokakozebekikism from deep in the Welt am Draht plunge pool.
PENULTIMATE PRESS recording disastrists.
Incoming audio-falsifications in collusion with PSILT and AL KARPENTER.
Retirement from private life fully documented, incl. infantile Zeichnungen, in the anaemic volume Nothing is Possible (or Nervousness, or Immorality, or Don't Wait to be Hunted to Hide, depending which front cover you're looking at), P. Press, 2023.
Favours for the flinching strays
always weak and wide astray
