| 1 | Another Kind of Humor | 0:21 |
| 2 | OB & Cha Cha | 2:22 |
| 3 | Guide To Broadcasting | 0:19 |
| 4 | Smash and Grab | 3:06 |
| 5 | The Sacred Erm | 2:03 |
| 6 | Sing With Melodious Inarticulate Sound | 0:45 |
| 7 | A Crossed Line | 0:37 |
| 8 | Clippety Cart Horse | 2:46 |
| 9 | In The Panto | 1:05 |
| 10 | Ursula Fahrt Ski | 4:43 |
| 11 | T424PLU 1 | 3:06 |
| 12 | More Plunderblunders | 1:25 |
| 13 | Ski Hell | 0:43 |
| 14 | We Believe | 3:58 |
| 15 | T424PLU 2 | 5:36 |
| 16 | Sound Escape | 3:49 |
| 17 | Sound Escape 2 | 3:07 |
| 18 | Handjob | 0:46 |
| 19 | If Someone Touches You | 3:20 |
| 20 | Music Of Your Own | 0:32 |
| 21 | Millenium Dome | 1:29 |
| 22 | My Son Jim | 4:26 |
| 23 | More Plunderblunders 2 | 0:31 |
| 24 | Oompah Pumpah | 4:39 |
| 25 | I'm 89 | 2:08 |
| 26 | Take A Walk | 3:40 |
| 27 | Morning Pedro | 3:35 |
| 28 | We Believe | 1:01 |
| 29 | Bran Mash & Crushed Beans | 0:49 |
| 30 | We're Gonna Be Around | 1:11 |
| 31 | Recyclopaedia Britannica Cassette Side A | 33:01 |
| 32 | Recyclopaedia Britannica Cassette Side B | 35:07 |
First released on Mess Media in 2002 on CD, and then reissued on cassette in 2018 on Sucata Tapes, we've combined the digital files of both to bring this to you all on one place. This was compiled as a Best Of People Like Us from pre-2000. Amazing to think it is almost 20 years later that we write this. This represents an earlier life of PLU, some of which carries through to now, some left long behind...
“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly “topical” audio-jokes at the expense of one’s raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being “groovy”, the cads of pseudo-critique take cheap shots at straw men and call it subversion. Happily, Vicki Bennett has yet to fall down either precipice, but yodels down contentedly from her own Alpine audio-cottage. There, with loving care, she snips and tucks at the lycra jumpsuit until the fit is snug, places every plastic shrub on the Happy Valley Ranch just so, and throws another dance record on the bonfire. Undercutting her own utopian mirages with formal breakdowns and sneaky semantic pranks, Vicki Bennett is One Funny Lady, with a deadly sense of comic timing that puts her in my personal pantheon of edit intensive music makers: -Steinski and Mass Media, Hank Shocklee, Tod Dockstader, Teo Macero, the Hanatarash, John Oswald, Runzelstirn & Gurgelstock. Serving her birthday cake with a turd, her gags are always lined with a virulent creep factor. You get the feeling that the vacancy and pointlessness of empty speech is being lampooned and mourned in equal measure. In sticking to this balance of celebration and critique, People Like Us genuinely hates and loves People Like You. The least you can do is head up to the Happy Valley Ranch for a spell and have a listen.” – Drew Daniel (Matmos) 2002
Available as 16bit FLAC or 320kbp MP3
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
This year marks 30 years for People Like Us, marked by a cover feature in The Wire Magazine (May 2021, a touring of Gone, Gone Beyond, a 360 immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican, and an evening hosted by People Like Us at their favourite venue Cafe OTO.
