A total trip from long-time collaborators, Australian drummer / percussionist, Will Guthrie, and Parisian artist, Jean-Luc Guionnet!
Across 31 restless minutes Guionnet cranks the uneasiness with electronics that swell and stutter, whilst Guthrie's drums deftly probe and pierce, making tentative forays into the swirling tones and static before both ramp up the propulsive energy in a dizzying, cathartic barrage from which Guionnet's saxophone erupts. A second, shorter coda set brings back the introspection, letting the pieces fall and settle in a series of stop-start divinations before eventually drawing things to a close, though with no easy resolution.
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Will Guthrie / drums & percussion
Jean-Luc Guionnet / organ & saxophone
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Mixed and mastered by James Dunn
Cover design by Oli Barrett
Echiums grown by Mary Woodfield
Available as 320k MP3 or 24bit FLAC
Tracklisting:
1. Part 1 - 31.27
2. Part 2 - 7.30
Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics.
He plays solo and in various projects such as THE AMES ROOM, ELWOOD & GUTHRIE & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac and his own label Antboy Music.
Regular collaborators past and present include Oren Ambarchi, James Rushford, Jean-Luc Guionnet, Mark Fell, Roscoe Mitchell, Anthony Pateras, Chulki Hong, Jérôme Noetinger, Keith Rowe, David Maranha, Ava Mendoza, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen.
"My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound and forms. Those occasions have always to do with a strong meeting with an outside element : an instrument (saxophone/organ), a theoretical idea (what is "rumour"?), and mainly a collaborating friend (Lotus Edde Khouri, Éric La Casa, Thomas Bonvalet, Seijiro Murayama) ... or the long term adventure of a team (Hubbub, Ames Room, Jupiter Terminus ...). There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come: the thickness of the air, the pidgin, the musical instrument considered as affective automaton, sound as a signature of space, signature of objects, signature of what it is not... The coming emotion is made out of all these strata and the sliding of one over the other during the act of listening. When music is giving time."
